Two peas in a pod.

It was at a circus. An overly bedazzled stagehand scuttled by (she will correct me here, she was actually the stage manager) and disappeared behind a towering red velvet curtain.

“She is Art,
It’s not the way she looks
It’s the way she makes you see…” – Philemon Azavedo

The show was Moulin Rouge and has since closed but our friendship continues to play to audiences worldwide. Her frenetic incessant chatter, blind stubbornness, and general disregard for time give her a unique edge over some of my more grounded acquaintances. Robyn and I have shared a 10-year friendship that has transformed my life and given me a new perspective on what is possible. For example, my tolerance for unsolicited critique has gone WAY up.

We shared an art studio until her move back to Canada, and via 100’s of zoom calls, she has been an intrinsic part of the Learning to See Course since its inception. Early on we discovered that our outlook and thought processes are eerily similar. This has led to some inspired shows, powerful discussions, and a lot of personal growth (mostly hers).

Inspiration Fridays! Two Peas in a Pod

Gabriel Mark Lipper – Robyn – 48″x48″- oil on panel

My only memory of Gabe at the circus comes from his exuberant recollection. He hadn’t made much of an impression. I don’t remember his attire being notably bedazzled.

In my first memory, a gregarious, curly-haired man unexpectedly threw open the door to the studio I shared with a girlfriend. We were doing some mid-day exercises and Gabe, with little regard for the unextended invite, immediately joined in. From here he hijacked the whole operation and lured us to his studio with the promise of “excellent” floor mats (how could we say no). For the next 6 years, he would religiously attend and fervently windge about our exercises.

Throughout the decade of our friendship, Gabe fastidiously shows up in all capacities. Wise and quick-witted, he is the physical embodiment of the devil’s advocate (without the imposing body or evil motivations.) It vexes me how many times that hell-bound little helper has insights I can’t dismiss.

Friendships like this are what we need to keep us questioning, learning, laughing, and proving time and again that we are better than they are. I mean.. with them as our friends.

Our Art improves when it is analyzed and discussed, argued for, and dismantled. When we are guided and encouraged and our friends’ success brings us as much pride as our own. Neither of us would be here sharing with you without the others’ quick quips, whips, and lashes. Neither would have strived so far without the others’ support.

In the right company, you will be willing to reach into the uncomfortable and build dreams one brushstroke at a time. The richness of following your individual path knowing your allies have your back may just be as inspiring as the work itself. When you join a community of creatives, every part of you and your art will be elevated… occasionally insulted, infrequently annoyed, and always inspired.

Inspiration Fridays Two Peas in a Pod Robyn & Gabriel

Disclaimer:
No feelings were hurt during the making of this post. In fact, it was co-written Wednesday afternoon sitting side by side (zoom). My side still hurts. It could have been the laughter or the stabbing wit.


Listen for Robyn’s new podcast FERAL ART on February 2nd! Keep your ears peeled for more.


Do you have an Art Bestie??

Where do you go to find creative community?

Are you inspired by other artists?

We’ve all had those bad days.

There are days when it’s easy to lose sight of all that we’ve accomplished. Especially if we’re only focused on all that is left to do.

“I have offended God and mankind. My work did not reach the quality it should have” – Leonardo da Vinci

I think God would only be mildly off-put with Leo. We’ve all had those bad days. I had a bad day this week. Many of you may have bore witness to –

The Great 8paint Auto Dictation Debacle of January 2023

My laptop went rogue and interjected a very questionable version of my conversation with Dave in the middle of my Monday email. And like Leo, I was devastated. I hate making public mistakes, but I suspect that I’m the only one that lost any sleep over it. Most of my potential critics probably didn’t even get a chance to open it.

8paint Inspiration Fridays End of the Day

Gabriel Mark Lipper – End Of The Day – 30″x40″- oil on panel

Sometimes this can be exacerbated by the feeling that we are spread too thin with too many tasks, too many obligations, and too many demands on our lives. Squirrel!!

Even if you’re not a polymath from the Renaissance, It’s easy to get caught up in the cacophony.
“Maybe I should take that night class on cartography. The stars are so bright tonight, how does the galaxy function? I should read about that. Or maybe write about it. I wonder if the stars are held up in the sky in the same way that the church is held up by its archways? What would the equation for that be? Should I sculpt first or should I paint? Does the flower collapse because it’s not properly engineered? That flower reminds me of a sad song.”

All of these musings and possibilities are what make this world so amazing. We grow by stretching, digging, asking questions, and taking risks. Our style evolves as we evolve. Some experiments may blow up in our face. Grab your safety goggles, and keep on trying.

You are going to have a lot of unfinished paintings. Your galleries and patrons may not always like the new direction that your work is heading in. Keep taking risks, asking questions, digging, and stretching. The stars looking down from the sky may be the only audience for some of your work. That is enough. Artists are here to make discoveries. That is our gift back to the world.

Did your momma ever say there’d be days like this??

How many creative styles do you have?

Have you ever felt like Leonardo da Vinci?

Traveling without Knowing

After four years of studying Japanese in high school, all I can remember to say is: 私は日本語を勉強します (I study Japanese). Although the language left me, the memories of my stay on the northern island of 北海道Hokkaido shaped the person that I am today.

“We must not cease from exploration. And the end of all our exploring will be to arrive where we began and to know the place for the first time..” – T.S. Eliot

That trip opened my eyes to the hugeness of this world and the infinite possibilities that it offers. My love of art is almost indistinguishable from my love of travel.  Last year was no exception, and my trip to France marked another evolutionary mile stone.

Inspiration Fridays Traveling without Knowing Sketch

I was walking the same French streets that Gauguin, Van Gogh, and Lautrec, had walked when they first discovered Japanese art for themselves.

Inspiration Fridays Traveling without Knowing Parisian Painting

The sensitivity of Hokusai and Utamaro’s line work and the vibrant Parisian nightlife all came crashing together for me. This trip helped me to solidify something in myself.

Inspiration Fridays Traveling without Knowing Parisian Painting

I am a traveler. An artist who loves Japanese, Italian, and French culture as much as I love the soft rolling hills of my home in Ashland Oregon.

Inspiration Fridays Traveling without Knowing Parisian Painting

So I’ve begun going through my old sketches and photos again. This time without focusing on a specific trip or event. I’m not looking for a specific subject or time.  I’m after that feeling. The feeling of Japan, the feeling of France, the feeling of home.  The paintings that feel like me.

Inspiration Fridays Traveling without Knowing Parisian Painting

So maybe it’s time to dig out the old family photos and revisit those parts of our lives that moved us and made us who we are.

Inspiration Fridays Traveling without Knowing Photo Collection

You are the culmination of all of your experiences.  Those experiences are your style.  Innovations and breakthroughs from every artist that you have been moved by live in your work. The cubicle you spent years in as an accountant, or the field where you road your first horse also can make beautiful shapes in your mind. Still, the only person who can express what you have lived with paint is you.

Does your style reflect who you are?

What does your life look like when you paint it?

Where do your favorite memories live?