Who Are Your People?

Artists always go to New York. New York, the center of the art world. Long before Art Basel in Miami or my painting trip through Paris, in my mind, the New York art scene reigned supreme. I stood at a crossroads. But instead of moving to New York, to tough it out with the rest of the “Bohemians”, I retreated to a small “artsy” town in southern Oregon, where I have lived ever since.

“Some beautiful paths can’t be discovered without getting lost.” – Erol Ozan

End of story? No! Of course not. Life has a way of bringing things full circle. I’ve worked with a lot of eccentric and incredible people, traveled to the edges of the earth, (including several trips to New York), and for the most part, my decision to withdraw from the rat race has yielded plenty of cheddar.

Small towns give me room to think and to breath. They just don’t have the numbers. This “lack” has often left me feeling like I was creating my art in a vacuum. Of course, that’s never true. But what is true is that immediately after creating the Learning To See Course, the direction of my art, my community, and my life, changed radically. All of a sudden, I was working with artists from all over the world. Some were beginners, and others were professionals, but the passion we share for art was and is, electric.

Gabriel Mark Lipper - Seclusion - Mixed Media on panel - 48”x 48”

Gabriel Mark Lipper – Seclusion – Mixed Media on panel – 48”x 48”

The life of an artist can be isolating, especially if you feel surrounded by a community that doesn’t understand what you are trying to say with your work. A drawback to living in any bubble is the lack of different perspectives and ideas.

Through Learning to See, I finally have a community that speaks the same language I do. We come from all over the world and have lived wildly different lives, but we share a commonality that brings us together. The language of art. I think we can also all agree on the importance of purple.

It’s this community that spurs me on and dares me to risk and go further. To those of you who have joined in and said yes to your art. Thank you. Our support and energy for one another has changed who we are as artists in this world. We challenge each other to stretch and shift, and to grow.

I’ve never moved to New York, but the global community that I’ve discovered from my studio here in Ashland Oregon has, and continues to change the way I see. I’m grateful that you have allowed me to contribute to your journey as well.

Does your community support your art?

How do other artist contribute to your creativity?

Who are your people?

 

How do you stay creative through the Holidays?

Happy Holidays! For many of us “creatives” , just getting ourselves through this season without cracking under the immensity of all of the creative possibilities that present themselves can be tricky.

“Art should be like a holiday: something to give a man the opportunity to see things differently and to change his point of view.” – Paul Klee

Christmas can be a time for joy and celebration, but it also tends to be a season where my painting takes a backseat. Navigating the demands of social commitments, errands, and family takes priority. And it becomes difficult to eke out even a little bit of time, let alone the energy, to be creative with my art.

Inspiration Fridays How Do You Stay Creative Through the Holidays

For me, this used to lead to a feeling of overwhelm, followed by the dualistic sensations of guilt and frustration. An undisciplined wrestling match between my art and attention to those that I love would rage as Christmas drew near. Painting regularly triumphed, throttling my relationships in a vicious headlock, as I threw myself into my work. Irrational and Herculean efforts followed, willing me forward to meet self-imposed deadlines before Christmas arrived. This inevitably led to a kind of lean creativity. There was a desperate aura of “lack” surrounding my pre-holiday work, and the most important people in my life were left to decorate the tree without me.

But who was I kidding?! The reality is, if it’s not done by mid-December, then it can wait until the new year. These lightless hours offer us up an opportunity to shift our artistic perspective and see things through the glow of twinkling lights. Sometimes, showing up for our art looks like a couple of pine cones discovered on a brisk walk with your estranged cousin, or half-mad kitchen experiments with cinnamon, nutmeg, and a bit of ginger.

Do you have a friend that needs a visit? Maybe a couple of kids who need to be peeled away from their iPads? Is there a version of Santa Clause that still makes things by hand?

How does your artistic perspective shift during the holidays?

What things do you notice and how can you see them in a new light?

 

Does Creativity Rest?

Holidays are busy and full of things that press us for our energy and time. But they also present us with the opportunity to be quiet and still.

“Even a true artist does not always produce art.” – Carrol O’Connor

The night leans in, the days are shorter, and the cold finds its way through our clothes. It’s a time for closure, for long walks, and for rest.

For me, the holidays are about home. There’s really no other place I want to be right now. My batteries are sapped and I need to recharge. Quite a few hours over the last couple of days have been dedicated to watching TV, catching up on shows that I probably wouldn’t have missed. Sinking into grandmother’s old mission style chair as images dance across the screen and time floats away. I’m drinking a lot of tea, and occasionally some bourbon.

After Hours - oil on panel - 18”x 24” - Gabriel Mark Lipper

After Hours – oil on panel – 18”x 24” – Gabriel Mark Lipper

As artists, we put a lot of pressure on ourselves to create. It’s thrilling when we do, but it’s easy to forget that there is also a time to just … be. To absorb. Closing our eyes, switching off, letting go of the idea that we need to be doing something to justify our worth. And in letting go, we make space for something new to arrive. Creativity is not always proactive. It can be receptive too. The feeling of waiting is uncomfortable, but it is also an integral part of the creative process.

I still pop into the studio and move the paints around just to see if something is ready to emerge, but I’m not trying to make anything. I pick out old canvases that have given me trouble and see if I can’t close them down. I use failed paintings as playgrounds, and begin to play with colors, shapes, and textures in the abstract.

The new year will bring with it new energy for new ideas, but right now is about letting go. The year is coming to a close.

There’s nothing to fix, it’s time to make peace.

 

Some of the best music is found between the notes.

Do you give yourself down-time?